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B-52 : AT-212 review. 3 reviews, 28 votes and 24 comments total
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AT-212 Review

manufacturer: b-52 date: 05/14/2007 category: guitar amplifiers
AT-212
The B-52 AT-212 100-Watt 2 x 12" combo tube amp has a unique tri-mode rectifier that lets the rectifier section operate in class A, class AB, or even solid state modes!
 Features:10
 Sound:9.3
 Reliability:8.7
 Impression:9.7
 Overall rating:
 9.4 
 Users rating:
 6.6 
 Comments:
 24 
  pictures (1)  user comments vote for this amp:
overall: 9.8
Featured review by: CkY freak, on august 23, 2006
2 of 2 people found this review helpful

Purchased from: Guitar Center

Features: This is the most versatile amp I've ever played. It's a 100 watt all tube combo amp, with 2x12" speakers. It's got 2 different gain channels, with independent EQ's for each. It's also got a contor button and knob, which scoops out the important mids, but doesnt't take all the mids out, it sounds really good. It's also got a clean channel, with independent eq and volume, plus a master volume for the whole amp. It's also got a "low res." knob, that adds a real nice low end to the amp. It's got three different rectifier options, tube A, tube AB1, or solid state. I use this amp in my room and at band practice, but this amp could easily fill a good size venue. This amp is loud. // 10

Sound: I own a couple different guitars. A modded Ibanez RG470 with a DiMarzio X2N in the bridge, and a Fender Red Lace sensor in the middle. I play mainly hardrock, progressive, and a little bit of metal. I'm also an avid blues player. And gain 1 works really well for the blues, if the gain knob is kept down, but if cranked, can handle the most extreme styles of music. Gain 2 has a little more dirt than gain 1, I use this most of the time. It's got a real warm distortion, and with the tube class A on, it sounds even better. The clean channel is extremely clean, which I love. I don't like amps with clean channels that breakup at high volumes. Just Perfect. The only reason I'm giving this a 9, is because it doesnt't sound as good as my DigiTech GNX4 through the amp. But it's really close. // 9

Reliability & Durability: It's never broken down on me yet, so it seems durable. It's got a footswitch that's built like a tank. So I think it would be safe to use without a backup. It weighs about 80lbs so it might do some damage if it were to tip over, but the amp came with 3" casters to put on the amp, it really makes it easier to get around. // 10

Impression: This amp suites me perfect. In my opinion, this amp will suit any style of music. From Jazz and blues, to rock and metal. I've been playing 4 years, and this is the best amp I've ever played. If it were stolen, I'd for sure buy another one. Everything about this amp is great. I was a bit skeptical to buy this amp because I had never heard of the brand. I'm so glad I did. I think everyone needs to at least play one, and find out for themselves. I'll never buy another brand of amplification. // 10

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overall: 9
Reviewed by: unregistered, on january 04, 2007
1 of 1 people found this review helpful

Price paid: $ 699

Purchased from: Guitar Center

Features: Full featured with 1 clean and 2 gain channels; 3-band EQ on the clean and a shared 3-band EQ on the gain channels. Independent gain control on the gain channels and independent volume on all three channels plus a overall master volume offer a superior amount of flexibilty for Live performances. Also, the mid-scoop with seperate contour adjustment and the ability to "scoop" each gain channel individually is another plus. Full, footswitch controlable effects loop with send and return levels, a line out with a level control, a decent spring reverb and an incuded 4-bank footswitch (gain1/gain2, clean/gain, reverb, effects loop) really make this amp a gig-friendly combo. // 10

Sound: The sound is very basic: excellent clean and warm tube distortion. Scooped it has a modern high-gain tone, and non-scooped it does a Marshall tone very well. The tri-rectifier gives even more subtle sound capabilities and allows the tailoring of the Drive to your room requirements. It is very non-temperamental and almost always sound exactly right from room to room. It mikes up well with a decent sound guy and has huge bottom end and chunk. Overall great sound for the low price tag. // 9

Reliability & Durability: Had problems withthe cheap method of pins used to hold the front of the amp (with the speakers) to the cabinet, but the addition of a few screws solved that easily enough (and B-52 customer support stated they redesigned the attachment process so that shouldn't be an issue any longer. Also of of the caster sleeves split which caused the caster to keep falling out, but again B-52 replaced it free and without haslle. In fact, I broke 3 of the front pots (totally my own fault) and B-52 replaced those for free as well. As far as performace-wise, it has never failed to perform perfectly and once it is warm, sounds great throughout the night. I don't have an amp case for it, which maybe I should, and the amp has been bumped and banged a bit, but it has not had a performace problem at all after about 9 months of gigging. // 8

Impression: I play a wide variety of covers and this amp is well-suited to the various styles. I run an '04 Les Paul Standard with Duncan SH-1's and a Standard Strat with Duncans (Lil'59, Vintage staggered, and a Pearly Gates II from neck to bridge), another Standard Strat with Fender Noiseless pups and a 80's Zion with Dimarzios. The amp was an amazing buy at $799 at the time, then on a return trip to the guitar center it was on sale for $699 (they gave me a $100 refund), which made it even sweeter. I was looking and trying to find a modeling amp to suit my needs but never really could get by the lack of tone. My effects are very limited and all analog: a Boss chorus (which I run continuously to thicken up the sound, a Boss Acoustic Simulator (mainly because I am too lazy to drag and mike up my acoustic, club owners are too cheap to pay well enough to deserve an actually acoustic sound), a Boss compressor, a Boss Tuner, and a Cry Baby Wah. I would most likely replace the amp if stolen or destroyed and it is a great buy for the money. The only drawback is the weight at about 80lbs. but hey, my problem for needed a tube amp for the tone and the 2-12" speakers so I can't really bitch. // 9

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overall: 9.5
Reviewed by: WrathOscuro, on may 14, 2007
0 of 0 people found this review helpful

Purchased from: Guitar Center

Features: This amp is by far the best amp I've played/tested so far. I've been playing for about 2 years now, and I've tested almost every amp at my local guitar store, called Gear 1 Music, and a good bit of amps at Guitar center, Highland Music (local store), and Bailey Brothers. No amps except for maybe the Peavey 5150 can hold a candle to this monster. So anyway, on to the review. A lot of people refer to this amp as the "Poor man's Mesa Triple Rectifier". I believe this is a very false comparison. Although it is a triple recto amp, the real rectifiers cannot touch the versatility and tone that this amp can. Better cleans BY FAR, more features, and better sounds at lower volumes. This thing has the obvious clean channel, two gain channels (both are very useful by the way), a contour thing which lets you school out mids or add mids, reverb, effects loop, the option to Switch the tube settings between Class A, A/B, or Solid State. Switching between tubes can change your tone a bit, usually in a good way depending on what you want to sound like. Not sure if the solid state option is really solid state though, since the amp still gets hot when I have it on that setting. It also comes with a footswitch letting you toggle both gain channels, the reverb, and the effects loop. It's 100 watts, has casters on the bottom, and a 'bright' Switch for the clean channel! Last but not least, you have a High Gain input and a Low Gain input. Both are very useful to the versatility. So yeah, B-52 has covered just about every essential need in a tube amp. // 10

Sound: First of all, the guitar I play on currently is a Schecter Omen 6. I still have yet to play my friend's BC Rich Jr V and BC Rich Beast (bronze) though. Also, I plan on giving my uncle's Fender Mexican Strat a test run on it as well. When I do, I'll edit this review if needed. This amp is extremely versatile. You can get blues, jazz, classic rock, metal, you name it. The distortion can get extremely brutal especially at high volumes. Very warm and crunchy, just like a Mesa Boogie Rectifier. However, if you use any distortion pedals (Metal Zone, Metal Master, etc), keep them. The reason is, although the amp has great sounding brutal distortion, if you're wanting the industrial/nu-metal sounding distortion that bands such as Rammstein get, you'll have to use a pedal. Next, the clean channel in my opinion in crystal clear. When in the high gain input, you can get the warm bluesy kind of cleans, while the low gain has the solid state sounding cleans (only more clear; less muffled). Both gain channels sound similar, but you will hear a subtle difference. I mainly use the two gain channels for different kinds of music. One for classic rock/blues (set at 1), the other for things such as death metal (maxed out). The reverb in my opinion sounds great. Very basic, but great nonetheless. Though it's not overpowering, it's still easily heard and benefits your tone a lot if you're into soloing. I can't really say anything bad about the sound at all, for I have found no flaws. // 10

Reliability & Durability: I haven't had this amp long. Only for a week and a half/two weeks. Something like that. I have had zero problems. a lot of people have had problems with the reverb dying on them, casters getting torn up somehow, etc but nothing like that has happened. This amp is built for playing Live, and I very much doubt that I would need a backup amp, unless the tubes were to quit on me. I've also heard that their customer service is excellent, so if you have any problems, contact B-52, or use the warranty! I rate this an 8 simply because of the bad things I've heard, but have not experienced yet. // 8

Impression: In a nutshell, this amp can do whatever you want. If it were stolen/lost, I'd definitely get another. After testing multiple amps, this is by far my favorite. I have no regrets what'soever. The amps that I tested before deciding to get this one are listed below. Kustom Quad Jr Half Stack 100W, Marshall MG100DFX Full Stack, Marshall JCM900 Full Stack, Line 6 Spider III 75W, Line 6 Flextone III XL, Peavey Windsor Half Stack, Peavey Valveking 212, Peavey 5150 Half Stack, Peavey Bandit 65, Crate VTX65, Crate VTX15, Crate GT212, Mesa Boogie Rect-O-Verb (Single Rectifier), Mesa Boogie Triple Rectifier Half Stack // 10

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 24 
 comments posted
CkY freak :
I forgot to put. I got a great deal on this amp. The tag price is $750, but I got it down to $680 with tax.
POSTED: 08/23/2006 - 03:18 pm / quote |
CkY freak :
And the other guitar I own, is a Fender Deluxe American Strat. Works well with this guitar too.
POSTED: 08/23/2006 - 03:23 pm / quote |
kayvman :
i own this amp too - it is ridiculously awesome. ^ like you said, suits any style
POSTED: 12/19/2006 - 07:29 pm / quote |
lethalunchbox :
i tried this amp today and it was killer.
i'm actually considering getting it instead of a peavey 6505, but that's a financial issue.

POSTED: 01/20/2007 - 11:22 pm / quote |
led_zephyr :
you guys, this is the most versatile amp ever, it can give you anything from jazz and blues to classic/psychedelic rock. it is the same quality and sound as a twin, just with out the brand name and at about 2/3s of the price. I would get it, but its too much for me now, but if you guys have the money, i highly recommend it. peace.

POSTED: 01/21/2007 - 03:05 am / quote |
A7XRemenissions :
im getting an at-112, so basically the same thing. I've read about some quality issues, and reverb breaking down, anyone experience this or did they just get a lemon?
POSTED: 03/22/2007 - 09:30 pm / quote |
me_llamo_juan :
^I had mine break down just about right away. Then it broke down again.
And the reverb was barely audible.
Other than that, though, it was fine.

POSTED: 03/31/2007 - 06:47 pm / quote |
gioiagreg :
after a few more months, the reverb tank springs broke off - very cheaply made.....B-52 is supposed to send me out a new tank for free and I will send the broken one back. THIS IS A VERY COMMON problem with these amps and hopefully B-52 will put a better tank in at some point. My local GC in Connecticut is clearencing these amps out for ONLY $501 - I may actually buy another one as a spare if I can scrape the money together - a huge bargain.....
POSTED: 04/13/2007 - 11:06 am / quote |
A7XRemenissions :
ahh well i ended up getting the at-100 used for $500, pretty good deal. And yes, the reverb has diminished, but i honestly dont care. I still cant dial in a good high-gain tone, im sure if its because i cant crank it most of the time, or my cheapo single coils.
POSTED: 04/14/2007 - 07:27 pm / quote |
WrathOscuro :
I've had my AT-212 for about a week and a half now, and I've had no problems whatsoever with it. The reverb is perfectly fine, the casters are fine, everything is..fine o_o
POSTED: 05/13/2007 - 07:28 pm / quote |
Op3th :
Had mine for around a week and haven't had any problems with it. If you're even thinking about getting a new amp you owe it to yourself to at least check this monster out. It's also LOUD, and by that I mean I was playing with the volume on 2, and my house was shaking. I was afraid the neighbors were going to call and complain and I think I may have suffered hearing damage because my left ear rings now God I love this amp.
POSTED: 07/04/2007 - 03:41 am / quote |
Tubyboulin :
Im getting this amp pretty soon and from what ive heard its great. I used it with a Gibson SG and a Dean Razorback. Excelent Quality.
POSTED: 07/17/2007 - 09:03 pm / quote |
WrathOscuro :
Small update: Alot of people say that the reverb cuts out on them after a while. I've had my amp for around 3 and a half to 4 months and it's still working great.
POSTED: 08/19/2007 - 04:25 pm / quote |
SideshowRaven24 :
i bought the At100 about a year ago and it's working great. The reverb isn't too strong to begin with, just acts as a thickener. If reverb is very important to your sound, I suggest geting an Electro-Harmonix Holy Grail. The head is pretty much a workhorse, but i HIGHLY SUGGEST changing the tubes. There is a huge difference, because the B-52 tubes suck. The gain channel is awesome, but for any distortion tone i turn on my Turbo Tube Screamer and Boss Noise Supressor to thicken things up. I'm on my second footswitch right now, because a drunk soundguy at a club tripped on mine. The footswitch isnt too reliable, but take care of it and you'll be fine. This amp feeds back a good amount when cranked, but i use that to my advantage, because I play a lot of Toolish stuff. The clean channel is AMAZING, just flawless. This is basically an awesome amp, just a few things that B-52 has to work out

POSTED: 08/22/2007 - 09:58 am / quote |
SideshowRaven24 :
haha i shouldve just written a review, huh?
POSTED: 08/22/2007 - 10:00 am / quote |
H(i)SS :
EIGHTY POUNDS?!!?!?! wow that's prooty damn heavy!
POSTED: 09/22/2007 - 06:40 pm / quote |
evilnj :
ive been playing for about 20 years so ive played a lot of amps good and bad big name and unknown. this amp is amazing peroid. ive had it for about four months and no problems. i hear a lot about the reverb,i could care less as i dont use reverb that often. i play mostly metal and this amp is perfect for it. this amp is worth it at any price. as far as reliability,its fine. ive heard and had horror stories about boogies and they cost twice as much. i play a hamer standard with duncans and a 79 hamer special with paf's and both sound great thru this amp. try it and buy it.
POSTED: 12/15/2007 - 05:10 pm / quote |
/Dragon|Force\ :
I love mine. i got it new for $511 (US dollars). It is an amazing amp and great for almost any style of music. Perfect clean setting and amazing distortion.
POSTED: 01/07/2008 - 12:28 pm / quote |
jdcjd :
Hi. I JUST bought a B-52 AT-212 and I am having an issue with the REVERB channel. It works perfectly when the footswitch is NOT plugged in, but when it is - it cuts out completely! Can anyone offer me ANY ideas of what I can do? Is it the footswitch, is it something worse? I got this secondhand - but the guy I bought it from SWEARS it was just bought about 6 months ago brand new (so OCT 2007). Any ideas/help would be GREATLY appreciated. Thanks

POSTED: 02/18/2008 - 11:16 am / quote |
Zoso722783 :
I've had this amp for a few months now. It's a great amp and I had not problems with it thusfar. Well a few minor ones. This thing rocks though. You can get any type of sound you want out of it. Pig Squeels are kinda hard. It just might be my guitar. This thing is very loud. In my opinon, it gives off alot of feeback when cranked. It's like finger nails on a chalkboard. I reccomend getting a compressor. For the most part though, this amp sounds great.
POSTED: 02/25/2008 - 01:09 pm / quote |
Drusus :
I ordered one of these last month but now they're discontinued! I really really wanted one and I'm just bummed out that I won't be able to get a new one. I hope it's just temporary and that B-52 puts them back out...maybe they're fixing the reverb or changing the specs or something. I just want this amp so bad!
POSTED: 04/07/2008 - 12:24 am / quote |
CkY freak :
That sucks they discontinued them! I just got the at412 cabinet to along with it. I hope they bring them back!
POSTED: 04/18/2008 - 03:17 pm / quote |
RFer :
I went to a guitar center like a month ago and they still had some of this amps, I never say them discontinued.
POSTED: 05/03/2008 - 05:13 pm / quote |
caitan1962 :
I am going to make many of you mad. I bought one of these last week in mint condition for $100 dollars. No that isn' a missprint. A single $100 bill, 100 ones, five 20's. It is bad to the bone.
POSTED: 08/13/2008 - 12:16 am / quote |
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